Aspects of the design process in generative design: case study Orquestra Vermelha

Authors

  • Gisela Belluzzo de Campos Universidade Anhembi Morumbi
  • Fabio Pereira Espíndola Universidade Anhembi Morumbi

DOI:

https://doi.org/10.36517/vazppgartesufc2020.2.60384

Keywords:

Generative Design, Creation Process, Red Orchestra

Abstract

This article aims to analyze the process of projecting (creating) the work entitled Orquestra Vermelha (2013), by visual artist and musician Matheus Leston. The work, characterized by the author as “show” is a “hybrid”
between installation and performance updated in real time due to use of generative design which also allows for collaboration of work and the creation of graphic and sound patterns. The methodology for writing the
article consisted of project description based on the use of software, concepts of visual language, sound language, artistic performance, as well as in an interview with the author of the work.

Author Biography

Fabio Pereira Espíndola, Universidade Anhembi Morumbi

Doutorando e Mestre em Design pela Universidade Anhembi Morumbi. Professor na graduação em Design na Universidade Mackenzie.

O volume 4, número 2, da Revista Vazantes traz inaugura as artes sonoras junto à galeria da seção Proposições Poéticas: http://periodicos.ufc.br/vazantes/galeria Editora Responsável: Milena Szafir

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Published

2020-12-24

How to Cite

Belluzzo de Campos, G., & Pereira Espíndola, F. . (2020). Aspects of the design process in generative design: case study Orquestra Vermelha. Revista Vazantes, 4(2), 10–22. https://doi.org/10.36517/vazppgartesufc2020.2.60384

Issue

Vol. 4 No. 2 (2020): Fronteiras do Projetar: Diálogos entre Arte e Design

Section

Dossiê