Visual overflows and their sonorities

Abstract

The article aims to reflect on photography as an act of project and projecting itself in the territory, analyzing the processes that support the realization of hybrid artistic practices, uniting image and sound. Considering the poetics resulting from interactions with the place and its population, the social memories of the place are initially identified, fostering the artistic production, which will later contaminate the landscape with a view to the participation of the community in the reception of an aesthetic experience. Feeding back the collective
memory and characterizing a political appropriation of the urban (trans) formative of the sense of inhabiting, the work results from the elaboration of collective gestures that give it experiential and existential meanings,
echoing poetic internalizations of “being together” in the world.