Light defined on surfaces:

audiovisual processes in Art as a video mapping

Abstract

Something that has been mapped has, in primacy, the indication that its constitutive paths are full of knowledge and are in the form of records of any nature. The act of mapping requires dedication in the realization of the records, and it can serve for others to be able to follow their paths safely or to lose themselves better oriented. The text reflects on the technological process of clipping the light, as an object of Art, on an irregular surface. Some experiences of the action of folding the moving image on different architectures and objects are mapped by the mapped projection. Thus, reflecting on the path between audiovisual composition and surface-sensitive technique, the process of sharing this audiovisual experience with other artists is described, through a dynamic of academic meetings, aiming at holding a collective event with contours and singularities. borderline in the conception and realization in such productions.