Uma viagem através dos bas-fonds da metrópole

Abstract

The Polish Jew writer Samuel Rawet had a declared affection about the popular classes. Naturalized Brazilian to seven years of age, he has several tales in that chooses the the matter some aspects of the (homo) sexuality. This feature of his short stories had become one of the most important of his methods in the collection called Os Sete Sonhos, 1969, what it tooks Caio Fernando Abreu to classify the book of much focused on homosexual themes. In this bias, the study aims to present one of the tales in the assertion which can be demonstrated. The text object que integrates the latest collection Writer, Que os mortos enterrem os seus mortos, 1981, named “Nem um anjo é entrevisto no terror”, presents the free gay picture of manichaean bonds or even easy cliches. Sexual orientation does not serve here as a motto of demonization or, much less, that redemption which has the bitter existence and the suffers any other subject. Anchored in the tale scholars, the analysis is thematically, while formal. The realization concludes que, in a world of characters in conflict, be gay, just like any other living, is not free of existential nausea experienced in their everyday travels.